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drawing & graphism

Articles

  • Inks or Die
    29 novembre 2025, par erikm

    Stem cells Paper & Inks 2 > 60cm x 60cm / 3 > 80cm x 60cm / 2 > 60cm x 40cm
    ErikM’s relationship with ink aesthetics and shodō calligraphy (書道, "the way of writing") began accidentally and empirically in 2010 with the Liquides series. The artist repurposed broken LCD, LED, and cathode ray screens, transforming their original function to reveal moving images : liquid landscapes born from the "death" of the device. This work already extended a critical approach to consumerism and (…)

  • Katchina & Fading
    29 novembre 2025, par erikm

    Katchina Series
    Paper Ink 1 > 80cm x 60cm / 2 > 60cm x 50cm
    Fading Series
    Paper Inks 1 > 60cm x 50cm / 2 > 80cm x 80cm

  • Controle suite...
    6 janvier 2005, par erikm

    Series of digital prints dibon-pasted
    2005 : beginnings of the TNT (digital TV process), first digital images dumping, new media machines seeping into our homes. Harnessed alarm and control thought by manipulation : eRikm bores the aerial. Short-circuits make the system fail, throwing into the source, until TV screen crashes. The image, lived up by the distortion takes pictorial forms and colours. Captured and taken off the flow, they appear like icons of an insidious society of (…)

  • Acouphène
    18 avril 2000, par erikm

    Serigraphy edition , A1 X 134 cm Score
    As a response to the constraint set by a commission from L’Attente editions, eRikm answers with a constraint : make lines, submission state to the support, which generates here the manuscript of a minimalist score improvised on a repeat mode. A kind of ringing in the ear without hearing stimuli, this Acouphène (tinnitus) arises out of the blank page trauma : “I won’t copy any more”, false resolution for an artist for whom copying is a work tool, a (…)

  • Codé_in
    18 avril 2001, par erikm

    Collage, A4
    Codé_in is a collage conceived like a transfer support. The device appeals to a self-projection into time and space, notions virtually embodied by the line pattern. On the page, an encoded (on codeine ?) character is inlayed on the surface of an encrypted screen, and cast into the psychic space of a sequential memory. Its unstable posture and fixed position convey this idea of displacement and of a quest for anchorage, revealing the artist’s characteristic nomadism.