Günter Müller iPod, Percussion, Electronics
Norbert Moslang - Cracked Everyday Electronics
Erikm - CD-J & Electronics
Double LP
Performed in a double space.
Final mixing and mastering by Norbert Moeslang
Artistic director : Frédérick Quennoz
Cover art / Daniela Grüninger
Production : Dolmen
Accueil > Mots-clés > music > collective projects
collective projects
Articles
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Pavillon du Lac
29 novembre 2016, par erikm -
Albédo
4 juin 2019, par erikmErikm & Anthony Pateras Lp 2 tracks > Orbitale & Nyctalope Erikm : CD-J & Idiosyncrasy system Anthony Pateras : Synthesizers & échantillonneurs
Fresh on the CCAM Editions-label is "Albedo", the new collaborative two track album effort created by the artist pairing of Erik M and Anthony Pateras who joined forces on two different occasions in fall of 2017 and early 2018 respectively to record this one. With "Orbitale" the duo starts on a piercing, yet calm sinewave resembling (…) -
ΞЯIҜM & VЯЯЯБIΓCH
5 septembre 2023, par erikmTitlle > L’horizon des événements ErikM > electronics device vrrrbitch > electronics & Trompet PUNCTUM Session Recorded in december 2021 Recorded & Mastering by Ladislav Železný Artwork & design ErikM Final graphic design Marie-Pierre Morin tour de bras Canada
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Sury-Tanuki
29 septembre 2024, par erikmL’index lécheur
Bisou records : CD edition
Distribution : Les Presses du Réel
Caroline Sury : texts and vocals
Tanuki - aka ErikM - composition dynamique & electronics
Project Fr / En -
Christian Marclay DJ trio
29 avril 2004, par erikmdj olive + erikm + Toshio Kajiwara + Marina Rosenfeld
"Performer, sculptor, and sound artist Christian Marclay has been experimenting, composing and performing with phonograph records and turntables since 1979. djTRIO is a rotating trio founded by Christian Marclay in 1996 to showcase the talent of some of the world’s best avant-garde turntablists. >>> -
Archives sauvées des eaux
30 avril 2004, par erikmLuc Ferrari & erikm
Winner of the « In memoriam » award of the « Académie Charles Cros » 2005, "Archives sauvées des Eaux" represents the encounter between a pioneer of concrete music, who died of late, and a live sound’s manipulator. In the last six years, Luc Ferrari worked on a series of compositions to explore, in every direction, the totality of the concepts he experimented since the beginning of his work in the middle 50’s and this CD is a great evidence of those. The idea raised (…) -
Complementary contrasts
28 juillet 2004, par erikmerikm + christian fennesz
The performance begins with what sounds like an uncontrolled
electrical signal, its voltage almost certainly lethal. The signal
pulses menacingly, its rhythm quickly mutating. There are metallic
overtones and an accompanying percussive sound, as if something were
pounding upon an electric guitar’s strings. >>> -
Ecotone
2 décembre 2014, par erikmeRikm & Martin Brandlmayr
eRikm : CD-j & Electronics
Martin Brandlmayr : Drums
6 tracks : CD edition
Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…) -
Visitation
9 décembre 2011, par erikmeRikm & Luc Ferrari
When the sun set on April 1st 2011 I heard through the windows of my house
the repetitive song of a night bird. « Madeleine » brought me immediately back
to Luc Ferrari’s electroacoustic piece « Presque Rien N° 2 ».
I became curious about comparing the bird that was officiating in the garden
of Cap15 (in the North area of Marseille) with the bird of « Presque Rien ».
My curiosity triggered the desire to play Luc’s piece in the acoustic space
of my house. With (…) -
Cartouche
19 juin 2012, par erikmeRikm : CD-J + electronics & sampling live . Mouth Organ Natacha Muslera : Voice & Microphones + Objects . Mouth Organ
"Cartouche is a mixed duet featuring eRikm and Natacha Muslera, active since 2010.Fragments that break off of a body, like a shattering windshield.The electronics and the voice trigger eruptive sound phenomena, either rushed or stretched, in which the listener is immersed in a physical experience that is transversal to music itself.Leaving only debris and brilliant (…)