Erik M
borgo • erik m • bux
Erik M
paper record 7’
Squash 3000
Nountapoukel is a musical project of variable geometry, initiated by Erik M and Stéphane Affholder in 1993. This duo emerged from the ashes of the Mulhouse-based noisy rock trio This Is Daddy Long Legs (1990-1992), whose album Noise Gate was released by Jetlagprod & Atypeek Music in 2019. Made up of drums and guitar, the duo performed between 1993 and 1994, each show featuring a different guest. The first took place at the Shot Gun Gallery festival (Kill Art !) in Strasbourg-Neudorf, alongside Inner Tube, aka Guillaume Dask. Another took place during a Y-Front night at Noumatrouf in Mulhouse, in the form of a sound installation and street art piece by Erik M, as well as a Nountapoukel show accompanied by an unlikely saxophonist from the vineyards around Colmar. The Squash 3000 EP, made with saxophonist Matthieu Philémon Boetsch for Ghetto Blaster Rec.1 and La Touche*, was recorded raw, without an audience, in this Mulhouse sports venue. This unreleased archive was originally issued as an audio cassette, in an extremely limited number of copies.
Stéphane Affholder : Drums
Erik M : Guitar - Prepared guitar and tape
Matthieu Philémon Boetsch : Saxophone and loop
© Nountapoukel 1993
℗ Jetlag Production I CD & Digital 2026
Demo tape
Erik m Guitar & prepared guitar + tape
Steph Affolder Drums
Mathieu Boetsch Saxophone & delay looper
Jazz-Core
michel zimmermann • erik m • stephane affholder
Noise Gate
Publishing of the first recording noisy rock band from Erikm out only by tape in 1992.
Label Jetlagprod & Atypeek music 2019
Distribution > Atypeek music & > Corticalart
Deezer / Spotify / Apple-Music
Michel Zimmermann : Bass & Voice / Erik M : Guitars . Bass . Tape & Voice / Stef Affholder : Drums
Live & clip
This Is Daddy Long Legs – Noise Gate
In 1992, This Is Daddy Long Legs viewed their musical genre as Noisy.
The bandmembers grew up in the industrial town of Mulhouse in eastern France, which, at the dawn of the 90s, was a fertile breeding ground for bands such as Mercyless, Crusher, and others.
The DDL started out as a duo in the fall of 1990, with Michel Zimmerman and Erikm both simultaneously playing bass on drum machines. Steph Affholder became the band’s drummer in February of 1991.
They had many influences, from Hüsker Dü to Dinosaur Jr. to Sonic Youth. Those bands were almost all on indie labels such as SST and Blast First. When performing in France and Switzerland, they would share the stage with local rock bands such as Les Thugs, Davy Jones Locker and Kill the Thrill, which Erikm joined in the mid-90s.
The decision to release this album today had undoubtedly to do with the fact that it’s a testament to a musical aesthetic found in France in those days. It is also the first studio recording of work by musique concrète composer and free improviser Erikm. For the musically adventurous, Erikm is better known as a sculptor of sound, whether on turntables or manipulating various electronic devices. Though he began experimenting with sound before the DLL, it was after the band broke up that he really matured and developed in that area. His many musical collaborators include Luc Ferrari, one of the precursors of musique concrète, and F.M. Einheit from the Hamburg punk group Abwäts, who was also one of the founders of the industrial music group Einstürzende Neubauten.
The band split up abruptly in late 1992. It wouldn’t be long before Michel, on vocals and bass, called it quits altogether, while Steph and Erik explored other musical territories as a duo, then in a power trio that played free rock.
This demo was recorded in 1992 and remains the band’s only studio recording.
michel zimmermann • erik m • stephane affholder
|auto prod - France