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<item xml:lang="fr">
		<title>Odakim</title>
		<link>https://www.erikm.com/visual-art/odakim</link>
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		<dc:date>2011-03-19T09:30:00Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;Video : eRikm Music : Ground Zero commissioned by Institut Tokyo 80 minutes pour le Japon Tokyo . Japan&lt;/p&gt;


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&lt;a href="https://www.erikm.com/visual-art/" rel="directory"&gt;visual art&lt;/a&gt;

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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;

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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;Video : eRikm&lt;br class='manualbr' /&gt;Music : &lt;a href=&#034;http://en.wikipedia.org/wiki/Ground_Zero_(band)&#034; class=&#034;spip_out&#034; rel=&#034;external&#034;&gt;Ground Zero&lt;/a&gt;&lt;br class='manualbr' /&gt;commissioned by Institut Tokyo &lt;br class='manualbr' /&gt;80 minutes pour le Japon&lt;br class='manualbr' /&gt;Tokyo . Japan&lt;/p&gt;&lt;/div&gt;
		
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		<title>86 164,1s</title>
		<link>https://www.erikm.com/visual-art/article/86-164-1s</link>
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		<dc:date>2011-03-17T23:22:00Z</dc:date>
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		<dc:language>fr</dc:language>
		


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;1 mn project : video 01 86 164,1 second Florencia . Italia&lt;/p&gt;


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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;

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<item xml:lang="fr">
		<title>Austral</title>
		<link>https://www.erikm.com/visual-art/austral</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/austral</guid>
		<dc:date>2009-10-27T14:37:00Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;AUSTRAL Sound, Memory and Flesh &lt;br class='autobr' /&gt;
Austral is a mixed work (electronic and video) for ensemble, originally composed for &#034;Laborintus&#034; (contemporary ensemble). This creation was previously imagined in its opening to be re-interpreted by other musical aesthetics. &lt;br class='autobr' /&gt;
Austral is a pretext, a vector. My main interest is to deal directly with the sounds, music, and &#034;noises&#034; produced by musicians : the specific archetypes of their own training (amateur or professional). This piece calls an (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;strong&gt; AUSTRAL &lt;/strong&gt; &lt;br class='manualbr' /&gt;&lt;strong&gt; &lt;i&gt;Sound, Memory and Flesh&lt;/i&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Austral is a mixed work (electronic and video) for ensemble, originally composed for &#034;Laborintus&#034; (contemporary ensemble). This creation was previously imagined in its opening to be re-interpreted by other musical aesthetics. &lt;/p&gt;
&lt;p&gt;Austral is a pretext, a vector. &lt;br class='manualbr' /&gt;My main interest is to deal directly with the sounds, music, and &#034;noises&#034; produced by musicians : the specific archetypes of their own training (amateur or professional). &lt;br class='manualbr' /&gt;This piece calls an individual memory, just as a collective memory. &lt;br class='manualbr' /&gt;My visual and musical work is based on a pre-existing object and its supports (vinyl, cd, tape, Hertz ...) or on a process of generation -and degeneration- of a sound or visual object (body). Austral gives me an access to memory and its biological artifacts, still privileging an exchange relationship with individuals. &lt;/p&gt;
&lt;p&gt;Austral will revolve around the sequences of a video and electronic composition, showing a series of landscapes and cityscapes collected during a trip through the Argentine and Chilean borders, in 2009. &lt;/p&gt;
&lt;p&gt;The final composition will be achieved according to the trends and the potential of the group that would have gone through collective improvisations.&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>VA&#169;UUM</title>
		<link>https://www.erikm.com/visual-art/va-c-uum,331</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/va-c-uum,331</guid>
		<dc:date>2008-11-23T17:38:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;Video &#8226; 2008 Concept : eRikm Extract : 02.09mn Original time : 40.52mn &lt;br class='autobr' /&gt;
Order of creation / Theme ::The transparent body : : &lt;br class='autobr' /&gt;
Project commissionned by Th&#233;&#226;tre le Merlan sc&#232;ne nationale Marseille and APHM Assistance Publique des H&#244;pitaux de Marseille &lt;br class='autobr' /&gt;
the video one follows is trailer !!&lt;/p&gt;


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&lt;a href="https://www.erikm.com/visual-art/" rel="directory"&gt;visual art&lt;/a&gt;

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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;

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&lt;p&gt;Order of creation / Theme ::The transparent body : : &lt;br class='autobr' /&gt;
Project commissionned by Th&#233;&#226;tre le Merlan sc&#232;ne nationale Marseille and APHM Assistance Publique des H&#244;pitaux de Marseille&lt;/p&gt;
&lt;p&gt;&lt;b&gt;the video one follows is trailer !!&lt;/b&gt;&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>G&#233;n&#233;resense Soustractive</title>
		<link>https://www.erikm.com/visual-art/generesense-soustractive</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/generesense-soustractive</guid>
		<dc:date>2008-02-12T17:10:16Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>
		<dc:subject>multimedia</dc:subject>

		<description>
&lt;p&gt;Extract : 58.00 S. original time : 07.50 m Projected onto a specific screen concept and music by eRikm programming St&#233;phane Cousot &lt;br class='autobr' /&gt;
Accumulation and repetition of a complex variable image -
&lt;br class='autobr' /&gt;
This features several states of subtractive synthesis of the image
&lt;br class='autobr' /&gt;
source, which were then reorganized and composed.
&lt;br class='autobr' /&gt;
The work on images involves the same processes that I have developed with sound. I use very short fragments of visual or sound material (video or photographs) that I explore digitally (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.erikm.com/visual-art/" rel="directory"&gt;visual art&lt;/a&gt;

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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;, 
&lt;a href="https://www.erikm.com/multimedia" rel="tag"&gt;multimedia&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;Extract : 58.00 S.&lt;br class='manualbr' /&gt;original time : 07.50 m&lt;br class='manualbr' /&gt;Projected onto a specific screen&lt;br class='manualbr' /&gt;concept and music by eRikm&lt;br class='manualbr' /&gt;programming St&#233;phane Cousot&lt;/p&gt;
&lt;p&gt;Accumulation and repetition of a complex variable image -&lt;br class='autobr' /&gt;
This features several states of subtractive synthesis of the image&lt;br class='autobr' /&gt;
source, which were then reorganized and composed.&lt;br class='autobr' /&gt;
The work on images involves the same processes that I have developed with sound. I use very short fragments of visual or sound material (video or photographs) that I explore digitally with a relationship of disincarnation, fragmentation and generational synthesis of one or several elements.&lt;/p&gt;&lt;/div&gt;
		
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<item xml:lang="fr">
		<title>LUX PAYLLETTES</title>
		<link>https://www.erikm.com/visual-art/article/lux-payllettes</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/article/lux-payllettes</guid>
		<dc:date>2008-01-03T19:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;Blind Video &#8226; 2008 Concept : eRikm Extract : 00.48mn Original time : 32.32mn &lt;br class='autobr' /&gt;
Something roars. Is it the MGM Lion or St Jerome's I see, translating the sound automatically, almost unthinkingly into image ? For I feel a need to see the sound, frame it in some way. The sound is in hiding, half-concealed, a beast in the jungle and this makes me nervous. Sound anticipates a danger or desire, it announces something to see, and yet at the same time exceeds what is eventually revealed to the (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.erikm.com/visual-art/" rel="directory"&gt;visual art&lt;/a&gt;

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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;strong&gt;Blind Video&lt;/strong&gt; &#8226; 2008&lt;br class='autobr' /&gt;
Concept : eRikm &lt;br class='autobr' /&gt;
Extract : 00.48mn &lt;br class='autobr' /&gt;
Original time : 32.32mn&lt;/p&gt;
&lt;p&gt;Something roars. Is it the MGM Lion or St Jerome's I see, translating the sound automatically, almost unthinkingly into image ? For I feel a need to see the sound, frame it in some way. The sound is in hiding, half-concealed, a beast in the jungle and this makes me nervous. Sound anticipates a danger or desire, it announces something to see, and yet at the same time exceeds what is eventually revealed to the eye. Voices lost in space, what have they seen. Or rather what have I heard in the voices, trapped in the asthmatic hiss of radio waves ? Somewhere over the rainbow. Which is to say, beyond the visible spectrum. The song overleaps what it can envisage. There's a land that I dreamed of once in a lullaby. We are returned to sound as the materiality of loss, but one that cannot be localized. In space no one can hear you scream. In time no one will know the scream was yours. Blow out. Listening to &#8216;Lux Payllettes' I imagine eRikm like a negative of Jack Terry in De Palma's film, looking not for the &#8216;right' sound, but to interrogate sound's uneasy place in a battle of rights. What follows is a schizoid balade, a deftly orchestrated, sometimes hysterical melodrama of sounds on the run in search of an unfettered spatio-temporal continuum in the sun and a privileged view of the nothing new. Eternity, or just sea and sky and a skipping CD ?&lt;/p&gt;&lt;/div&gt;
		
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		<title>from scratch</title>
		<link>https://www.erikm.com/visual-art/article/from-scratch</link>
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		<dc:date>2007-12-28T15:08:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;time : 5.00mn image and music by eRikm Osaka-Kyoto trip&lt;/p&gt;


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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;time : 5.00mn&lt;br class='manualbr' /&gt;image and music by eRikm&lt;br class='manualbr' /&gt;Osaka-Kyoto trip&lt;/p&gt;&lt;/div&gt;
		
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		<title>Corner</title>
		<link>https://www.erikm.com/visual-art/corner</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/corner</guid>
		<dc:date>2007-10-31T14:33:49Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;time : 2.45mn image and music by eRikm programming St&#233;phane Cousot &lt;br class='autobr' /&gt;
The work on images involves the same processes that I have developed with sound. I use very short fragments of visual or sound material (video or photographs) that I explore digitally with a relationship of disincarnation, fragmentation and generational synthesis of one or several elements.&lt;/p&gt;


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		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;time : 2.45mn&lt;br class='manualbr' /&gt;image and music by eRikm&lt;br class='manualbr' /&gt;programming St&#233;phane Cousot&lt;/p&gt;
&lt;p&gt;The work on images involves the same processes that I have developed with sound. I use very short fragments of visual or sound material (video or photographs) that I explore digitally with a relationship of disincarnation, fragmentation and generational synthesis of one or several elements.&lt;/p&gt;&lt;/div&gt;
		
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		<title>Corr&#233;lation 1</title>
		<link>https://www.erikm.com/visual-art/correlation-1</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/correlation-1</guid>
		<dc:date>2007-09-12T16:36:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>
		<dc:subject>multimedia</dc:subject>

		<description>
&lt;p&gt;Extract : 01.35 mn original time : 08.47 mn image &amp; music by eRikm &lt;br class='autobr' /&gt;
The image, recorded with a GSM, is a video capture from a car park POS display, retranscribing a software bug. &lt;br class='autobr' /&gt;
This 8.24 minutes piece was made out of a five seconds fragment of a pre-existing track, downloaded from the Internet. &lt;br class='autobr' /&gt;
Games of speed, fragmentary displacement and time within this cell.&lt;/p&gt;


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&lt;a href="https://www.erikm.com/multimedia" rel="tag"&gt;multimedia&lt;/a&gt;

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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;Extract : 01.35 mn&lt;br class='manualbr' /&gt;original time : 08.47 mn&lt;br class='manualbr' /&gt;image &amp; music by eRikm&lt;/p&gt;
&lt;p&gt;The image, recorded with a GSM, is a video capture from a car park POS display, retranscribing a software bug. &lt;br class='autobr' /&gt;
This 8.24 minutes piece was made out of a five seconds fragment of a pre-existing track, downloaded from the Internet. &lt;br class='autobr' /&gt;
Games of speed, fragmentary displacement and time within this cell.&lt;/p&gt;&lt;/div&gt;
		
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		<title>hQme</title>
		<link>https://www.erikm.com/visual-art/hqme</link>
		<guid isPermaLink="true">https://www.erikm.com/visual-art/hqme</guid>
		<dc:date>2007-03-26T22:51:02Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>erikm</dc:creator>


		<dc:subject>video</dc:subject>

		<description>
&lt;p&gt;original time : 07.47mn image by eRikm &lt;br class='autobr' /&gt;
Minimalist musical composition
&lt;br class='autobr' /&gt;
a strange slideshow composed of photographic close-ups taken in an apartment in a total state of chaos plays at regular speed. The flux of images, amongst other snapshots of disorder, shows a CD set of The Legendary Pink Dots, a smashed-in container of yogurt, a packet of miso soup and mismatched sneakers that have never been cleaned.&lt;/p&gt;


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&lt;a href="https://www.erikm.com/video" rel="tag"&gt;video&lt;/a&gt;

		</description>


 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;original time : 07.47mn&lt;br class='manualbr' /&gt;image by eRikm&lt;/p&gt;
&lt;p&gt;Minimalist musical composition&lt;br class='autobr' /&gt;
a strange slideshow composed of photographic close-ups taken in an apartment in a total state of chaos plays at regular speed. The flux of images, amongst other snapshots of disorder, shows a CD set of The Legendary Pink Dots, a smashed-in container of yogurt, a packet of miso soup and mismatched sneakers that have never been cleaned.&lt;/p&gt;&lt;/div&gt;
		
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