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collective projects

Articles

  • Pavillon du Lac
    29 novembre 2016, par erikm

    Günter Müller iPod, Percussion, Electronics
    Norbert Moslang - Cracked Everyday Electronics
    Erikm - CD-J & Electronics
    Double LP
    Performed in a double space.
    Final mixing and mastering by Norbert Moeslang
    Artistic director : Frédérick Quennoz
    Cover art / Daniela Grüninger
    Production : Dolmen

  • Poire_Z
    2 août 1999, par erikm

    g.muller_voicecrack_erikm
    Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and Erik M’s proposition was of a highly introspective, slowly building shroud of electronically derived sounds : >>>

  • Zufall
    19 mars 2008, par erikm

    eRikm & Akosh S.
    "in his sleevenotes for the 1959 album change of the century, Ornette Coleman suggested that his music was" something like the paintings of jackson pollock’.
    when Coleman’s epochal Free Jazz was issued the following year, Pollock’s White Light was reproduced on the cover. In a spirit allied to action painting, this music was energy made audible and ordered from within.>>>

  • Poire_Z +
    28 mai 2002, par erikm

    poire_z • y. otomo • sachiko m • c.marclay
    That’s "pwar zed," y’all. This is the third release—the first two came on For4Ears and Sonoris—by the excellent electroacoustic improv group (comprising Gunter Müller, Norbert Moslang, Andy Guhl, and eriKm). Here they are joined by special guests Otomo Yoshihide, Sachiko M, and Christian Marclay. >>>

  • mosq
    29 septembre 2001, par erikm

    eRikm • charlie o. • akosh s • Q rollet
    The Hammond organ has been rarely used in free improvisation settings. Upon listening to MOSQ, one can’t help but wonder why. The fact that the instrument has been identified with smoke-filled jazz clubs, progressive rock, and tasteless muzak provides elements of answers, but if anything this album proves it can bring unique atmospheres to spontaneous music. >>>

  • Stodgy
    10 décembre 2011, par erikm

    eRikm & N.Moslang
    eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002.
    Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of (…)

  • Ecotone
    2 décembre 2014, par erikm

    eRikm & Martin Brandlmayr
    eRikm : CD-j & Electronics
    Martin Brandlmayr : Drums
    6 tracks : CD edition
    Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…)

  • What a wonderful world
    28 mars 2003, par erikm

    eRikm • jérôme noetinger
    #
    Looking at the whole of a filmstrip, one can see the entire, sequential destiny, from start to finish. A media so inexorably linked to time is completely, unabashedly frozen and motionless. In the seemingly impotent filmstrip there is freedom from temporality in a temporal medium – all is subject to alteration, reversals and invisible splices. Music holds no such luxury.>>>

  • Archives sauvées des eaux
    30 avril 2004, par erikm

    Luc Ferrari & erikm
    Winner of the « In memoriam » award of the « Académie Charles Cros » 2005, "Archives sauvées des Eaux" represents the encounter between a pioneer of concrete music, who died of late, and a live sound’s manipulator. In the last six years, Luc Ferrari worked on a series of compositions to explore, in every direction, the totality of the concepts he experimented since the beginning of his work in the middle 50’s and this CD is a great evidence of those. The idea raised (…)

  • Cartouche
    19 juin 2012, par erikm

    eRikm : CD-J + electronics & sampling live . Mouth Organ Natacha Muslera : Voice & Microphones + Objects . Mouth Organ
    "Cartouche is a mixed duet featuring eRikm and Natacha Muslera, active since 2010.Fragments that break off of a body, like a shattering windshield.The electronics and the voice trigger eruptive sound phenomena, either rushed or stretched, in which the listener is immersed in a physical experience that is transversal to music itself.Leaving only debris and brilliant (…)