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collective projects

Articles

  • Poire_Z +
    28 mai 2002, par erikm

    poire_z • y. otomo • sachiko m • c.marclay
    That’s "pwar zed," y’all. This is the third release—the first two came on For4Ears and Sonoris—by the excellent electroacoustic improv group (comprising Gunter Müller, Norbert Moslang, Andy Guhl, and eriKm). Here they are joined by special guests Otomo Yoshihide, Sachiko M, and Christian Marclay. >>>

  • Trace cuts
    28 mars 2005, par erikm

    eRikm + M. Tetreault + O. Yoshihide
    Recorded during the Musica Genera festival in 2004, this collaborative work featuring ERikm on effects, Otomo Yoshihide on guitar and Martin Tetreault on turntables is an experimental workout of some subtance. >>>

  • Pavillon du Lac
    29 novembre 2016, par erikm

    Günter Müller iPod, Percussion, Electronics
    Norbert Moslang - Cracked Everyday Electronics
    Erikm - CD-J & Electronics
    Double LP
    Performed in a double space.
    Final mixing and mastering by Norbert Moeslang
    Artistic director : Frédérick Quennoz
    Cover art / Daniela Grüninger
    Production : Dolmen

  • ©haos ©lub
    25 juin 2007, par erikm

    eRikm & dieb13
    eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together >>>

  • Ecotone
    2 décembre 2014, par erikm

    eRikm & Martin Brandlmayr
    eRikm : CD-j & Electronics
    Martin Brandlmayr : Drums
    6 tracks : CD edition
    Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…)

  • ΞЯIҜM & VЯЯЯБIΓCH
    5 septembre 2023, par erikm

    Titlle > L’horizon des événements ErikM > electronics device vrrrbitch > electronics & Trompet PUNCTUM Session Recorded in december 2021 Recorded & Mastering by Ladislav Železný Artwork & design ErikM Final graphic design Marie-Pierre Morin tour de bras Canada

  • Mal des Ardents / Pantonéon
    18 février 2013, par erikm

    Catherine Jauniaux : Voice . bird call . cupule . cazoo .. eRikm : Turntables + Electronics & live sampling + architect lamp Double CD’s Mal des Ardents / Pantonéon
    Mal des Ardents - recorded in 2010 Pantonéon - registered Taktlos festival in 2000 #
    eRikm & Catherine Jauniaux : the turntables of improvisation…
    Captured. From the first second of their show the public hangs on the Catherine Jauniaux’s voice , is hypnotised by the extraordinary antics of ErikM at his turntables. (…)

  • Visitation
    9 décembre 2011, par erikm

    eRikm & Luc Ferrari
    When the sun set on April 1st 2011 I heard through the windows of my house
    the repetitive song of a night bird. « Madeleine » brought me immediately back
    to Luc Ferrari’s electroacoustic piece « Presque Rien N° 2 ».
    I became curious about comparing the bird that was officiating in the garden
    of Cap15 (in the North area of Marseille) with the bird of « Presque Rien ».
    My curiosity triggered the desire to play Luc’s piece in the acoustic space
    of my house. With (…)

  • Stodgy
    10 décembre 2011, par erikm

    eRikm & N.Moslang
    eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002.
    Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of (…)

  • Les ProtoRythmiques
    2 avril 2007, par erikm

    eRikm ’Luc Ferrari’ & Thomas Lhen
    Music as texture - once that leap is made, once the notion is accepted (to quote John Cage) that everything is music (and vice versa), the ear can readily embrace sounds not knit out of the usual fabric of melody, harmony or rhythm. Everything is not only music, but everything is permitted — "music" has been generated by household objects, electronically-powered equipment, the basic human voice, noises sampled, oversampled and resampled ad infinitum. (…)