g.muller_voicecrack_erikm
Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and Erik M’s proposition was of a highly introspective, slowly building shroud of electronically derived sounds : >>>
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collective projects
Articles
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Poire_Z
2 août 1999, par erikm -
Sun Dog
28 décembre 2022, par erikmErikM & Isabelle Duthoit Col des Tempètes CD edition at Crónica Records Portugal 19 Tracks Recorded at Le M !lieu in January 2022 Isabelle Duthoit - Voice ErikM - Electronics Device eRikm tells that duo was initiated when he and Duthoit were climbing « the Kilimanjaro of Provence ». Then, « Beyond the Dome of the Storms, we reach the pass...>
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Complementary contrasts
28 juillet 2004, par erikmerikm + christian fennesz
The performance begins with what sounds like an uncontrolled
electrical signal, its voltage almost certainly lethal. The signal
pulses menacingly, its rhythm quickly mutating. There are metallic
overtones and an accompanying percussive sound, as if something were
pounding upon an electric guitar’s strings. >>> -
Les ProtoRythmiques
2 avril 2007, par erikmeRikm ’Luc Ferrari’ & Thomas Lhen
Music as texture - once that leap is made, once the notion is accepted (to quote John Cage) that everything is music (and vice versa), the ear can readily embrace sounds not knit out of the usual fabric of melody, harmony or rhythm. Everything is not only music, but everything is permitted — "music" has been generated by household objects, electronically-powered equipment, the basic human voice, noises sampled, oversampled and resampled ad infinitum. (…) -
Sury-Tanuki
29 septembre 2024, par erikmL’index lécheur
Bisou records : CD edition
Distribution : Les Presses du Réel
Caroline Sury : texts and vocals
Tanuki - aka ErikM - composition dynamique & electronics
Project Fr / En -
Poire_Z +
28 mai 2002, par erikmpoire_z • y. otomo • sachiko m • c.marclay
That’s "pwar zed," y’all. This is the third release—the first two came on For4Ears and Sonoris—by the excellent electroacoustic improv group (comprising Gunter Müller, Norbert Moslang, Andy Guhl, and eriKm). Here they are joined by special guests Otomo Yoshihide, Sachiko M, and Christian Marclay. >>> -
Ecotone
2 décembre 2014, par erikmeRikm & Martin Brandlmayr
eRikm : CD-j & Electronics
Martin Brandlmayr : Drums
6 tracks : CD edition
Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…) -
Cartouche
19 juin 2012, par erikmeRikm : CD-J + electronics & sampling live . Mouth Organ Natacha Muslera : Voice & Microphones + Objects . Mouth Organ
"Cartouche is a mixed duet featuring eRikm and Natacha Muslera, active since 2010.Fragments that break off of a body, like a shattering windshield.The electronics and the voice trigger eruptive sound phenomena, either rushed or stretched, in which the listener is immersed in a physical experience that is transversal to music itself.Leaving only debris and brilliant (…) -
Zufall
19 mars 2008, par erikmeRikm & Akosh S.
"in his sleevenotes for the 1959 album change of the century, Ornette Coleman suggested that his music was" something like the paintings of jackson pollock’.
when Coleman’s epochal Free Jazz was issued the following year, Pollock’s White Light was reproduced on the cover. In a spirit allied to action painting, this music was energy made audible and ordered from within.>>> -
Archives sauvées des eaux
30 avril 2004, par erikmLuc Ferrari & erikm
Winner of the « In memoriam » award of the « Académie Charles Cros » 2005, "Archives sauvées des Eaux" represents the encounter between a pioneer of concrete music, who died of late, and a live sound’s manipulator. In the last six years, Luc Ferrari worked on a series of compositions to explore, in every direction, the totality of the concepts he experimented since the beginning of his work in the middle 50’s and this CD is a great evidence of those. The idea raised (…)