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collective projects

Articles

  • What a wonderful world
    28 mars 2003, par erikm

    eRikm • jérôme noetinger
    #
    Looking at the whole of a filmstrip, one can see the entire, sequential destiny, from start to finish. A media so inexorably linked to time is completely, unabashedly frozen and motionless. In the seemingly impotent filmstrip there is freedom from temporality in a temporal medium – all is subject to alteration, reversals and invisible splices. Music holds no such luxury.>>>

  • Sury-Tanuki
    29 septembre 2024, par erikm

    L’index lécheur
    Bisou records : CD edition
    Distribution : Les Presses du Réel
    Caroline Sury : texts and vocals
    Tanuki - aka ErikM - composition dynamique & electronics
    Project Fr / En

  • Ecotone
    2 décembre 2014, par erikm

    eRikm & Martin Brandlmayr
    eRikm : CD-j & Electronics
    Martin Brandlmayr : Drums
    6 tracks : CD edition
    Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…)

  • Poire_Z
    2 août 1999, par erikm

    g.muller_voicecrack_erikm
    Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and Erik M’s proposition was of a highly introspective, slowly building shroud of electronically derived sounds : >>>

  • Trace cuts
    28 mars 2005, par erikm

    eRikm + M. Tetreault + O. Yoshihide
    Recorded during the Musica Genera festival in 2004, this collaborative work featuring ERikm on effects, Otomo Yoshihide on guitar and Martin Tetreault on turntables is an experimental workout of some subtance. >>>

  • Archives sauvées des eaux
    30 avril 2004, par erikm

    Luc Ferrari & erikm
    Winner of the « In memoriam » award of the « Académie Charles Cros » 2005, "Archives sauvées des Eaux" represents the encounter between a pioneer of concrete music, who died of late, and a live sound’s manipulator. In the last six years, Luc Ferrari worked on a series of compositions to explore, in every direction, the totality of the concepts he experimented since the beginning of his work in the middle 50’s and this CD is a great evidence of those. The idea raised (…)

  • Sun Dog
    28 décembre 2022, par erikm

    ErikM & Isabelle Duthoit Col des Tempètes CD edition at Crónica Records Portugal 19 Tracks Recorded at Le M !lieu in January 2022 Isabelle Duthoit - Voice ErikM - Electronics Device eRikm tells that duo was initiated when he and Duthoit were climbing « the Kilimanjaro of Provence ». Then, « Beyond the Dome of the Storms, we reach the pass...>

  • Mal des Ardents / Pantonéon
    18 février 2013, par erikm

    Catherine Jauniaux : Voice . bird call . cupule . cazoo .. eRikm : Turntables + Electronics & live sampling + architect lamp Double CD’s Mal des Ardents / Pantonéon
    Mal des Ardents - recorded in 2010 Pantonéon - registered Taktlos festival in 2000 #
    eRikm & Catherine Jauniaux : the turntables of improvisation…
    Captured. From the first second of their show the public hangs on the Catherine Jauniaux’s voice , is hypnotised by the extraordinary antics of ErikM at his turntables. (…)

  • Christian Marclay DJ trio
    29 avril 2004, par erikm

    dj olive + erikm + Toshio Kajiwara + Marina Rosenfeld
    "Performer, sculptor, and sound artist Christian Marclay has been experimenting, composing and performing with phonograph records and turntables since 1979. djTRIO is a rotating trio founded by Christian Marclay in 1996 to showcase the talent of some of the world’s best avant-garde turntablists. >>>

  • mosq
    29 septembre 2001, par erikm

    eRikm • charlie o. • akosh s • Q rollet
    The Hammond organ has been rarely used in free improvisation settings. Upon listening to MOSQ, one can’t help but wonder why. The fact that the instrument has been identified with smoke-filled jazz clubs, progressive rock, and tasteless muzak provides elements of answers, but if anything this album proves it can bring unique atmospheres to spontaneous music. >>>