collective projects

Articles

• Sun Dog
  28 décembre 2022, par erikm

  ErikM & Isabelle Duthoit Col des Tempètes CD edition at Crónica Records Portugal 19 Tracks Recorded at Le M !lieu in January 2022 Isabelle Duthoit - Voice ErikM - Electronics Device eRikm tells that duo was initiated when he and Duthoit were climbing « the Kilimanjaro of Provence ». Then, « Beyond the Dome of the Storms, we reach the pass...>

• Albédo
  4 juin 2019, par erikm

  Erikm & Anthony Pateras Lp 2 tracks > Orbitale & Nyctalope Erikm : CD-J & Idiosyncrasy system Anthony Pateras : Synthesizers & échantillonneurs
  Fresh on the CCAM Editions-label is "Albedo", the new collaborative two track album effort created by the artist pairing of Erik M and Anthony Pateras who joined forces on two different occasions in fall of 2017 and early 2018 respectively to record this one. With "Orbitale" the duo starts on a piercing, yet calm sinewave resembling (…)

• Sury-Tanuki
  29 septembre 2024, par erikm

  L’index lécheur
  Bisou records : CD edition
  Distribution : Les Presses du Réel
  Caroline Sury : texts and vocals
  Tanuki - aka ErikM - composition dynamique & electronics
  Project Fr / En

• Poire_Z +
  28 mai 2002, par erikm

  poire_z • y. otomo • sachiko m • c.marclay
  That’s "pwar zed," y’all. This is the third release—the first two came on For4Ears and Sonoris—by the excellent electroacoustic improv group (comprising Gunter Müller, Norbert Moslang, Andy Guhl, and eriKm). Here they are joined by special guests Otomo Yoshihide, Sachiko M, and Christian Marclay. >>>

• Complementary contrasts
  28 juillet 2004, par erikm

  erikm + christian fennesz
  The performance begins with what sounds like an uncontrolled
  electrical signal, its voltage almost certainly lethal. The signal
  pulses menacingly, its rhythm quickly mutating. There are metallic
  overtones and an accompanying percussive sound, as if something were
  pounding upon an electric guitar’s strings. >>>

• Les ProtoRythmiques
  2 avril 2007, par erikm

  eRikm ’Luc Ferrari’ & Thomas Lhen
  Music as texture - once that leap is made, once the notion is accepted (to quote John Cage) that everything is music (and vice versa), the ear can readily embrace sounds not knit out of the usual fabric of melody, harmony or rhythm. Everything is not only music, but everything is permitted — "music" has been generated by household objects, electronically-powered equipment, the basic human voice, noises sampled, oversampled and resampled ad infinitum. (…)

• Visitation
  9 décembre 2011, par erikm

  eRikm & Luc Ferrari
  When the sun set on April 1st 2011 I heard through the windows of my house
  the repetitive song of a night bird. « Madeleine » brought me immediately back
  to Luc Ferrari’s electroacoustic piece « Presque Rien N° 2 ».
  I became curious about comparing the bird that was officiating in the garden
  of Cap15 (in the North area of Marseille) with the bird of « Presque Rien ».
  My curiosity triggered the desire to play Luc’s piece in the acoustic space
  of my house. With (…)

• ©haos ©lub
  25 juin 2007, par erikm

  eRikm & dieb13
  eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together >>>

• mosq
  29 septembre 2001, par erikm

  eRikm • charlie o. • akosh s • Q rollet
  The Hammond organ has been rarely used in free improvisation settings. Upon listening to MOSQ, one can’t help but wonder why. The fact that the instrument has been identified with smoke-filled jazz clubs, progressive rock, and tasteless muzak provides elements of answers, but if anything this album proves it can bring unique atmospheres to spontaneous music. >>>

• Ecotone
  2 décembre 2014, par erikm

  eRikm & Martin Brandlmayr
  eRikm : CD-j & Electronics
  Martin Brandlmayr : Drums
  6 tracks : CD edition
  Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…)