eRikm ’Luc Ferrari’ & Thomas Lhen
Music as texture - once that leap is made, once the notion is accepted (to quote John Cage) that everything is music (and vice versa), the ear can readily embrace sounds not knit out of the usual fabric of melody, harmony or rhythm. Everything is not only music, but everything is permitted — "music" has been generated by household objects, electronically-powered equipment, the basic human voice, noises sampled, oversampled and resampled ad infinitum. (…)
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collective projects
Articles
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Les ProtoRythmiques
2 avril 2007, par erikm -
What a wonderful world
28 mars 2003, par erikmeRikm • jérôme noetinger
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Looking at the whole of a filmstrip, one can see the entire, sequential destiny, from start to finish. A media so inexorably linked to time is completely, unabashedly frozen and motionless. In the seemingly impotent filmstrip there is freedom from temporality in a temporal medium – all is subject to alteration, reversals and invisible splices. Music holds no such luxury.>>> -
Poire_Z +
28 mai 2002, par erikmpoire_z • y. otomo • sachiko m • c.marclay
That’s "pwar zed," y’all. This is the third release—the first two came on For4Ears and Sonoris—by the excellent electroacoustic improv group (comprising Gunter Müller, Norbert Moslang, Andy Guhl, and eriKm). Here they are joined by special guests Otomo Yoshihide, Sachiko M, and Christian Marclay. >>> -
Sun Dog
28 décembre 2022, par erikmErikM & Isabelle Duthoit Col des Tempètes CD edition at Crónica Records Portugal 19 Tracks Recorded at Le M !lieu in January 2022 Isabelle Duthoit - Voice ErikM - Electronics Device eRikm tells that duo was initiated when he and Duthoit were climbing « the Kilimanjaro of Provence ». Then, « Beyond the Dome of the Storms, we reach the pass...>
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Trace cuts
28 mars 2005, par erikmeRikm + M. Tetreault + O. Yoshihide
Recorded during the Musica Genera festival in 2004, this collaborative work featuring ERikm on effects, Otomo Yoshihide on guitar and Martin Tetreault on turntables is an experimental workout of some subtance. >>> -
Ecotone
2 décembre 2014, par erikmeRikm & Martin Brandlmayr
eRikm : CD-j & Electronics
Martin Brandlmayr : Drums
6 tracks : CD edition
Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…) -
©haos ©lub
25 juin 2007, par erikmeRikm & dieb13
eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together >>> -
mosq
29 septembre 2001, par erikmeRikm • charlie o. • akosh s • Q rollet
The Hammond organ has been rarely used in free improvisation settings. Upon listening to MOSQ, one can’t help but wonder why. The fact that the instrument has been identified with smoke-filled jazz clubs, progressive rock, and tasteless muzak provides elements of answers, but if anything this album proves it can bring unique atmospheres to spontaneous music. >>> -
Stodgy
10 décembre 2011, par erikmeRikm & N.Moslang
eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002.
Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of (…) -
Home sweet home
28 août 2002, par erikmpoire_z • d.grüninger • f.quennoz • j.kahn
The videos Home Sweet Home and Enjoy the Ride explore the unsettled relationships between noise, sound and improvisational music, on one hand, and image, sound and the impact of life environment, on the other. >>>