collective projects

Articles

• Complementary contrasts
  28 juillet 2004, par erikm

  erikm + christian fennesz
  The performance begins with what sounds like an uncontrolled
  electrical signal, its voltage almost certainly lethal. The signal
  pulses menacingly, its rhythm quickly mutating. There are metallic
  overtones and an accompanying percussive sound, as if something were
  pounding upon an electric guitar’s strings. >>>

• Pavillon du Lac
  29 novembre 2016, par erikm

  Günter Müller iPod, Percussion, Electronics
  Norbert Moslang - Cracked Everyday Electronics
  Erikm - CD-J & Electronics
  Double LP
  Performed in a double space.
  Final mixing and mastering by Norbert Moeslang
  Artistic director : Frédérick Quennoz
  Cover art / Daniela Grüninger
  Production : Dolmen

• Albédo
  4 juin 2019, par erikm

  Erikm & Anthony Pateras Lp 2 tracks > Orbitale & Nyctalope Erikm : CD-J & Idiosyncrasy system Anthony Pateras : Synthesizers & échantillonneurs
  Fresh on the CCAM Editions-label is "Albedo", the new collaborative two track album effort created by the artist pairing of Erik M and Anthony Pateras who joined forces on two different occasions in fall of 2017 and early 2018 respectively to record this one. With "Orbitale" the duo starts on a piercing, yet calm sinewave resembling (…)

• Poire_Z
  2 août 1999, par erikm

  g.muller_voicecrack_erikm
  Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and Erik M’s proposition was of a highly introspective, slowly building shroud of electronically derived sounds : >>>

• Zufall
  19 mars 2008, par erikm

  eRikm & Akosh S.
  "in his sleevenotes for the 1959 album change of the century, Ornette Coleman suggested that his music was" something like the paintings of jackson pollock’.
  when Coleman’s epochal Free Jazz was issued the following year, Pollock’s White Light was reproduced on the cover. In a spirit allied to action painting, this music was energy made audible and ordered from within.>>>

• Sun Dog
  28 décembre 2022, par erikm

  ErikM & Isabelle Duthoit Col des Tempètes CD edition at Crónica Records Portugal 19 Tracks Recorded at Le M !lieu in January 2022 Isabelle Duthoit - Voice ErikM - Electronics Device eRikm tells that duo was initiated when he and Duthoit were climbing « the Kilimanjaro of Provence ». Then, « Beyond the Dome of the Storms, we reach the pass...>

• Archives sauvées des eaux
  30 avril 2004, par erikm

  Luc Ferrari & erikm
  Winner of the « In memoriam » award of the « Académie Charles Cros » 2005, "Archives sauvées des Eaux" represents the encounter between a pioneer of concrete music, who died of late, and a live sound’s manipulator. In the last six years, Luc Ferrari worked on a series of compositions to explore, in every direction, the totality of the concepts he experimented since the beginning of his work in the middle 50’s and this CD is a great evidence of those. The idea raised (…)

• Cartouche
  19 juin 2012, par erikm

  eRikm : CD-J + electronics & sampling live . Mouth Organ Natacha Muslera : Voice & Microphones + Objects . Mouth Organ
  "Cartouche is a mixed duet featuring eRikm and Natacha Muslera, active since 2010.Fragments that break off of a body, like a shattering windshield.The electronics and the voice trigger eruptive sound phenomena, either rushed or stretched, in which the listener is immersed in a physical experience that is transversal to music itself.Leaving only debris and brilliant (…)

• ΞЯIҜM & VЯЯЯБIΓCH
  5 septembre 2023, par erikm

  Titlle > L’horizon des événements ErikM > electronics device vrrrbitch > electronics & Trompet PUNCTUM Session Recorded in december 2021 Recorded & Mastering by Ladislav Železný Artwork & design ErikM Final graphic design Marie-Pierre Morin tour de bras Canada

• Les ProtoRythmiques
  2 avril 2007, par erikm

  eRikm ’Luc Ferrari’ & Thomas Lhen
  Music as texture - once that leap is made, once the notion is accepted (to quote John Cage) that everything is music (and vice versa), the ear can readily embrace sounds not knit out of the usual fabric of melody, harmony or rhythm. Everything is not only music, but everything is permitted — "music" has been generated by household objects, electronically-powered equipment, the basic human voice, noises sampled, oversampled and resampled ad infinitum. (…)