poire_z • d.grüninger • f.quennoz • j.kahn
The videos Home Sweet Home and Enjoy the Ride explore the unsettled relationships between noise, sound and improvisational music, on one hand, and image, sound and the impact of life environment, on the other. >>>
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collective projects
Articles
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Home sweet home
28 août 2002, par erikm -
Ecotone
2 décembre 2014, par erikmeRikm & Martin Brandlmayr
eRikm : CD-j & Electronics
Martin Brandlmayr : Drums
6 tracks : CD edition
Opening with an Apocalypse — a dis-covering where everything is assembled anew, where a snare drum gets dismembered. The drums instantly reanimate into a new body without organs, opening a breach, opening a space. The drummer lifts his sticks and hits ; a vertical landscape emerges inbetween, unidentified as it first breaks into the ears, as some atmospheric depression : (…) -
Poire_Z
2 août 1999, par erikmg.muller_voicecrack_erikm
Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and Erik M’s proposition was of a highly introspective, slowly building shroud of electronically derived sounds : >>> -
ΞЯIҜM & VЯЯЯБIΓCH
5 septembre 2023, par erikmTitlle > L’horizon des événements ErikM > electronics device vrrrbitch > electronics & Trompet PUNCTUM Session Recorded in december 2021 Recorded & Mastering by Ladislav Železný Artwork & design ErikM Final graphic design Marie-Pierre Morin tour de bras Canada
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©haos ©lub
25 juin 2007, par erikmeRikm & dieb13
eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together >>> -
Trace cuts
28 mars 2005, par erikmeRikm + M. Tetreault + O. Yoshihide
Recorded during the Musica Genera festival in 2004, this collaborative work featuring ERikm on effects, Otomo Yoshihide on guitar and Martin Tetreault on turntables is an experimental workout of some subtance. >>> -
Archives sauvées des eaux
30 avril 2004, par erikmLuc Ferrari & erikm
Winner of the « In memoriam » award of the « Académie Charles Cros » 2005, "Archives sauvées des Eaux" represents the encounter between a pioneer of concrete music, who died of late, and a live sound’s manipulator. In the last six years, Luc Ferrari worked on a series of compositions to explore, in every direction, the totality of the concepts he experimented since the beginning of his work in the middle 50’s and this CD is a great evidence of those. The idea raised (…) -
Zufall
19 mars 2008, par erikmeRikm & Akosh S.
"in his sleevenotes for the 1959 album change of the century, Ornette Coleman suggested that his music was" something like the paintings of jackson pollock’.
when Coleman’s epochal Free Jazz was issued the following year, Pollock’s White Light was reproduced on the cover. In a spirit allied to action painting, this music was energy made audible and ordered from within.>>> -
Mal des Ardents / Pantonéon
18 février 2013, par erikmCatherine Jauniaux : Voice . bird call . cupule . cazoo .. eRikm : Turntables + Electronics & live sampling + architect lamp Double CD’s Mal des Ardents / Pantonéon
Mal des Ardents - recorded in 2010 Pantonéon - registered Taktlos festival in 2000 #
eRikm & Catherine Jauniaux : the turntables of improvisation…
Captured. From the first second of their show the public hangs on the Catherine Jauniaux’s voice , is hypnotised by the extraordinary antics of ErikM at his turntables. (…) -
Cartouche
19 juin 2012, par erikmeRikm : CD-J + electronics & sampling live . Mouth Organ Natacha Muslera : Voice & Microphones + Objects . Mouth Organ
"Cartouche is a mixed duet featuring eRikm and Natacha Muslera, active since 2010.Fragments that break off of a body, like a shattering windshield.The electronics and the voice trigger eruptive sound phenomena, either rushed or stretched, in which the listener is immersed in a physical experience that is transversal to music itself.Leaving only debris and brilliant (…)