SECTION Visual Art_ video_ perform_ object_ installation_ multimedia_ sculpture_ drawing & graphism _
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Yōkai series

drawing & graphism  • 2020

Series of ink and scanography . glossy paper A4
Commissioned by Bisou records for the edition of a collection around my musical piece Echoplasme.
This series was made during the first lockdown in april 2020.
< Non-exhaustive choice



drawing & graphism  • 2011

Poem electrocardio
Cardiotocography paper (CTG)
90 mm X 90 mm X 2000 mm


drawing & graphism  • 2011


Board designed by eRikm :: Streetcut / Vanity case series 2010 ::
An order of Matsé-skateboards France
Matsé #10 Forthcoming Releases : Jan.2011




drawing & graphism  • 2010

A sequence of drawing and collage 2006/2010,
50 pieces, variable dimensions

Galerie OÙ


Drawing séries

drawing & graphism  • 2009

drawing single page
review revue & Corrigée
N°79 N°80 N°81 N°82
séries : çA SENT LE PâTé
title : Obsolescence . Deal . Patholitique . Occidental


drawing & graphism  • 2009

Tiramizu It’s about the first number of a review which presents work of plastiscians who are artists who handles the sound as well as the drawing, photography, painting etc...
eRikm has made a drawing and a music piece
100 numbered specimens,
dimensions : 18,5x18,5 cm



Controle suite...

drawing & graphism  • 2005

Series of digital prints dibon-pasted

2005 : beginnings of the TNT (digital TV process), first digital images dumping, new media machines seeping into our homes. Harnessed alarm and control thought by manipulation : eRikm bores the aerial.
Short-circuits make the system fail, throwing into the source, until TV screen crashes. The image, lived up by the distortion takes pictorial forms and colours.
Captured and taken off the flow, they appear like icons of an insidious society of “control”, that generates new mutants in free movement, introduced in the body of its media-supports.



drawing & graphism  • 2001

Collage, A4

Codé_in is a collage conceived like a transfer support. The device appeals to a self-projection into time and space, notions virtually embodied by the line pattern. On the page, an encoded (on codeine ?) character is inlayed on the surface of an encrypted screen, and cast into the psychic space of a sequential memory. Its unstable posture and fixed position convey this idea of displacement and of a quest for anchorage, revealing the artist’s characteristic nomadism.

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