Soundless installation, 800cm
Broken disks, stuck fragments, fractions doubled by a mirror, Staccato scans the space with a sound mass of dull rumbles. 888 vinyls for string instruments : it is the idea of a closed loop, blowing up into atoms remixed around a tight cable, reflecting the trajectory of a silent graphic wave.
Like an altar set for the sacrifice of “memory”, the piece plays with the object’s physical and symbolic properties : the vinyl, recording medium of a language both universal and specific, fetishistic icon of a “Barclay” generation, is also this relic from a time passed onto the scrap heap, the waste from mass production.
Staccato sculpts the section of a cultural inheritance, weakened and recycled.
This piece to integrate the permanent collection of Mudam 2004
Object, vinyl, 16 X 36 cm
A vinyl E.P. is dissected by a high pressured water-jet. eRikm digs into his material and makes the reading slip, in order to compose a new syncopated variation. The art piece replays the turntable master artist’s beloved processes : boned snatches physically remixed and compiled like an unconscious puzzle.
Audio installation and performance inclu in the spectacle of dance “deroutes” of Mathilde Monnier
Sub Bass . sine wave generator . sheet metal plate
exhibition
2002
Les Chants Mécaniques Lille . France
Audio installation & Live act / Aric tube . microphones Stroboscope phase :
Stroboscopes microphones on a audio system by Pierre Berthet
exhibition
2002
Les Chants Mécaniques Lille . France
2002
Limeligth Kortrijk . Belgium
glass bell . microphones . Flies. Natural audioscape
on a audio system by Pierre Berthet
exhibition
2002
Limeligth Kortrijk . Belgium
colored coton threads. Sub Bass . sine wave generator
exhibition
2002
Les Chants Mécaniques Lille . France