installation

Articles

• “Y” +/- audible
  17 avril 2001, par erikm

  Loudspeaker. Amplifier. Steel tube. Parametric equaliser. Ground element : 130,5 cm High element : adaptable to the space
  Sound in itself having rarely been worked on in the field of design, the idea was to construct an object that might be included in our daily space, our "home sweet home", as for instance halogen floor-lamps transformed the nocturnal atmosphere of our homes in the mid-eighties.
  The device is the following : two loudspeakers, mounted on tubes, like halogen (...)

• Simulacres set
  3 décembre 2009, par erikm

  video installation ∞ 2009 Concept : eRikm Extract 30 seconds commissioned by les instants video
  video 1 : FRAGS / video 2 : HOPIS / video 3 : PARTS video 1 : RED / video 2 : GREEN / video 3 : BLUE 1 sign shop
  "Simulacres Série" consists in accumulating moving light and layering sounds, music, and sounds, sometimes simultaneously.
  Each of the 3 videos - "FRAGS", "HOPIS", "PARTS" - takes up an original movie : 71 Fragments of a Chronology of Chance (M. Haneke, 1995), Koyaanisqatsi : (...)

• Borne
  13 novembre 2018, par erikm

  Borne - Milestone code sacré - Sacred Code Sound installation, ceramics and sound system 33 x 12 x 10.5 cm.
  There are a lot of photos and film footage left over from World War I. In terms of sound, though, there is only one film that recorded a measure of the sound vibrations on Armistice Day. That representation of sound shows all the magnitude of the sound of the artillery on the Western Front in Moselle. It preserves the sound of one minute before and one minute after the Armistice on (...)

• Garden amplify
  18 avril 2002, par erikm

  glass bell . microphones . Flies. Natural audioscape on a audio system by Pierre Berthet
  exhibition 2002
  Limeligth Kortrijk . Belgium

• VA©UUM
  28 novembre 2008, par erikm

  Video installation Concept : eRikm Extract : 02.57mn Original time : 40.52mn 7 Specific screens
  Order of creation / Theme ::The transparent body : : Project commissionned by Théâtre le Merlan scène nationale Marseille
  and APHM Assistance Publique des Hôpitaux de Marseille
  the video one follows is small documentary !!

• various objects
  20 décembre 2002, par erikm

  Audio installation and performance inclu in the spectacle of dance “deroutes” of Mathilde Monnier

• Écran Total
  6 janvier 2010, par erikm

  Installation, Wood frame, striped canvas, variable dimensions
  In between low and high tech, the art piece puts up a screen to eRikm’s moving and transversal languages. Canvas, frame, industrial colours and formal abstractions refer to a certain history of art which surfaces, as if medium and materials have been re-digested. Wefts, streaks and stretched pixels replay the graphic resolutions set on analogical editing tables/ mixing desk. In this chromatic and graphic familiar (...)

• Les Goudes Song’s
  18 avril 1997, par erikm

  stone . loud-speakers . motion sensor+ sequential recording of life in the neighbourhood
  exhibition 1998
  Stupeurs et trompette Marseille . France 1997
  Les ateliers d’artiste Marseille . France

• Border
  6 janvier 2010, par erikm

  Installation, cut and print cardboard, steel frame, variable dimensions
  The area of technical reproducibility opens a way to a sacralised relation to the art piece and its mass consumption. Disincarnation of an alleged original “aura” of the “master-work” in the industrial serialisation of its artefacts. Here, puzzles of master pieces are broken up to their very pieces, and lined up according to the reading order and reset on empty metallic frames. Stocking of fragmentary data of a (...)

• aUTOPORTRAIT
  6 janvier 2007, par erikm

  Video installation, Quadris-phonie
  From a picture of him taken on the Web, eRikm shatters himself to be reincarnated into time and space decentered zones. The original picture, sifted through the ASCII code (American Standard Code for Information Interchange), turns into a series of numbers. Read by a digital voice, it turns into a sound poem spread from the center of the acoustic space. Then injected in a Doppler, the series is randomly read again, and finally resets the original (...)