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object

Articles

  • A&B
    8 avril 1994, par erikm

    Physical sound collage. Single 7’

  • Noeud
    1er août 2012, par erikm

    Work on Borromean knots

  • King Rats
    19 juin 2006, par erikm

    26 computer mice
    A zoological phenomenon unexplained until now, the “king rats” is a bundle of rats whose tails are tied up one to the other, tangled together in a sticky gangue of hairs and faeces, Like a kind of mutant matrix, it is fed by its fellow creatures, on whom its survival depends. Connection-web-contamination… It is the idea of a latent virus announcing the beginnings of a disaster. A sprawling phenomenon here treated with humour, where the medieval epidemic rubs elbows with (...)

  • Catharsis
    30 juillet 2019, par erikm

    Family Catharsis on Compostela road Variable size : Dog hair . bone . hoof cloth . feather . eggshell . nail . horn wild hanging in the woods July 2019 Ariege France < Non-exhaustive choice

  • Résilience
    12 avril 2003, par erikm

    22 baby-foot players . bars 92cm 2 springs wire . 2 handles

  • Physical Remix
    12 avril 2003, par erikm

    Object, vinyl, 16 X 36 cm
    A vinyl E.P. is dissected by a high pressured water-jet. eRikm digs into his material and makes the reading slip, in order to compose a new syncopated variation. The art piece replays the turntable master artist’s beloved processes : boned snatches physically remixed and compiled like an unconscious puzzle.

  • Encore
    4 janvier 2010, par erikm

    Book. 186 pages Silicone. Ø 2 x 35 cm

  • Board
    19 mars 2011, par erikm

    LA COLLECTION MATSÉ
    Board designed by eRikm : : Streetcut / Vanity case series 2010 : : An order of Matsé-skateboards France Matsé #10 Forthcoming Releases : Jan.2011

  • Instincteur
    19 mars 2011, par erikm

    Ø 25,9 x 62,5 cm. extinguisher speaker hook

  • Sampling
    27 juillet 2008, par erikm

    Views from the workshop of a series of samplings of concrete objects, which I have collected over the past years from around the world. Beyond the surface, I seek a poetic dialectic between the object and my approach to sound samplings. The purely technical dimension of some objects, such as tin, piezo diode, will also be integrated into this exploration.
    Pierre Henry’s concrete paintings have always left me doubtful, but nevertheless resonate with this work. Additionally, I am also (...)