time : 5.00mn image and music by eRikm Osaka-Kyoto trip
Accueil > Mots-clés > visual_art > video
video
Articles
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from scratch
28 décembre 2007, par erikm -
Digicode
27 mars 2007, par erikmtime : 02.27mn Digicode by eRikm image : Sebastien Coupy 2001 Digicode "In the beginning there was feedback : machines speaking on their own, answering their - supposed - masters with cries of discord. Gradually human beings learnt how to control it, or at least that is what they thought, and the next stage saw the introduction of distortion and artificial sounds, in the form of synthesizers, which human beings also tried to control. (...) Today machines are not content to outdo the human (…)
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Austral
27 octobre 2009, par erikmAUSTRAL Sound, Memory and Flesh
Austral is a mixed work (electronic and video) for ensemble, originally composed for "Laborintus" (contemporary ensemble). This creation was previously imagined in its opening to be re-interpreted by other musical aesthetics.
Austral is a pretext, a vector. My main interest is to deal directly with the sounds, music, and "noises" produced by musicians : the specific archetypes of their own training (amateur or professional). This piece calls an (…) -
Levox
24 juillet 2006, par erikmvideo time : 04.44mn film action version 50.00mn filmmaker : Gaelle Rouart Etienne Caire music : eRikm
The handset receiver are black and oozing : "Where did I thus fall ? "" In an inn where everyone is killed ! " LEVOX it is the deployment of the panoply of the stereotypes of the history of the cinema. Its sentimental exhibitions, its fatal demonstrations, the euphoria of a burst of speed, its narrative anorexias, behind closed doors or in great spaces, it is indeed the extensive use (…) -
Frags
17 octobre 2006, par erikmTime : 05.26mn Concept : eRikm
Product images are accumulating
Frags is the product of accumulated images (light) and sound, a single of film. This matrix manipulated through a prism (process) set sail from sails which merely conceal other sails. -
Depressive Fighter
18 avril 2003, par erikmtime : 04.50mn image & sound by eRikm
"In every sound bend, I cannot help establishing the link with his facetious video « Depressive Fighter I and II », in which he appears, wearing a boxer’s helmet, producing vocal sounds while struggling with a compressor that sends air in his throat.
He composed two successive versions : the first one, "merely" a sequence shot, could amount to what he can do during " live" shows. The second one, very finely-worked from the reprocessed, filtered, (…) -
LUX PAYLLETTES
3 janvier 2008, par erikmBlind Video • 2008 Concept : eRikm Extract : 00.48mn Original time : 32.32mn
Something roars. Is it the MGM Lion or St Jerome’s I see, translating the sound automatically, almost unthinkingly into image ? For I feel a need to see the sound, frame it in some way. The sound is in hiding, half-concealed, a beast in the jungle and this makes me nervous. Sound anticipates a danger or desire, it announces something to see, and yet at the same time exceeds what is eventually revealed to the (…) -
VA©UUM
23 novembre 2008, par erikmVideo • 2008 Concept : eRikm Extract : 02.09mn Original time : 40.52mn
Order of creation / Theme ::The transparent body : :
Project commissionned by Théâtre le Merlan scène nationale Marseille and APHM Assistance Publique des Hôpitaux de Marseille
the video one follows is trailer !! -
hQme
27 mars 2007, par erikmoriginal time : 07.47mn image by eRikm
Minimalist musical composition
a strange slideshow composed of photographic close-ups taken in an apartment in a total state of chaos plays at regular speed. The flux of images, amongst other snapshots of disorder, shows a CD set of The Legendary Pink Dots, a smashed-in container of yogurt, a packet of miso soup and mismatched sneakers that have never been cleaned. -
Généresense Soustractive
12 février 2008, par erikmExtract : 58.00 S. original time : 07.50 m Projected onto a specific screen concept and music by eRikm programming Stéphane Cousot
Accumulation and repetition of a complex variable image -
This features several states of subtractive synthesis of the image
source, which were then reorganized and composed.
The work on images involves the same processes that I have developed with sound. I use very short fragments of visual or sound material (video or photographs) that I explore digitally (…)