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video

Articles

  • Frags
    17 octobre 2006, par erikm

    Time : 05.26mn Concept : eRikm
    Product images are accumulating
    Frags is the product of accumulated images (light) 
and sound, a single of film. 
This matrix manipulated through a prism (process) set sail from sails which merely conceal other sails.

  • 86 164,1s
    18 mars 2011

    1 mn project : video 01 86 164,1 second Florencia . Italia

  • LUX PAYLLETTES
    3 janvier 2008, par erikm

    Blind Video • 2008 Concept : eRikm Extract : 00.48mn Original time : 32.32mn
    Something roars. Is it the MGM Lion or St Jerome’s I see, translating the sound automatically, almost unthinkingly into image ? For I feel a need to see the sound, frame it in some way. The sound is in hiding, half-concealed, a beast in the jungle and this makes me nervous. Sound anticipates a danger or desire, it announces something to see, and yet at the same time exceeds what is eventually revealed to the (...)

  • Austral
    27 octobre 2009, par erikm

    AUSTRAL Sound, Memory and Flesh
    Austral is a mixed work (electronic and video) for ensemble, originally composed for "Laborintus" (contemporary ensemble). 
This creation was previously imagined in its opening to be re-interpreted by other musical aesthetics. 


    Austral is a pretext, a vector. 
 My main interest is to deal directly with the sounds, music, and "noises" produced by musicians : the specific archetypes of their own training (amateur or professional). 
 This piece calls (...)

  • from scratch
    28 décembre 2007, par erikm

    time : 5.00mn image and music by eRikm Osaka-Kyoto trip

  • Généresense Soustractive
    12 février 2008, par erikm

    Extract : 58.00 S. original time : 07.50 m Projected onto a specific screen concept and music by eRikm programming Stéphane Cousot
    Accumulation and repetition of a complex variable image -
    This features several states of subtractive synthesis of the image
    source, which were then reorganized and composed.
    The work on images involves the same processes that I have developed with sound. I use very short fragments of visual or sound material (video or photographs) that I explore digitally (...)